2
Earth Forming
This unit invites learners to explore how different cultures have explained the formation of the earth itself. Through three myths drawn from the Maidu, Blackfoot, and Hawaiian traditions, learners build skills in reading comprehension, grammar, vocabulary, and narrative writing while developing genuine appreciation for diverse cultural worldviews.
The unit culminates in a retelling project where learners take one myth and rewrite it from a different character's perspective or angle, applying everything they have learned about strong verbs, sequence writing, and narrative craft.
| Story / Chapter | Source Book | Cultural Origin |
| Turtle Dives to the Bottom of the Sea | In the Beginning — Virginia Hamilton | Maidu / California |
| Traveling to Form the World | In the Beginning — Virginia Hamilton | Blackfoot / Great Plains |
| Hiʻiaka and Wahine-Omao Seek Superheroic Adventure | Queer Mythology — Guido A. Sanchez | Hawaiian |
- The Pele Stories — Gabrielle Ahuliʻi
- The Princess and the Warrior: A Tale of Two Volcanoes — Duncan Tonatiuh
- The Story of Turtle Island by Dallas Arcand, illustrated by Faizon S
- Alternative Videos
- Earth-diver myths, in which a small animal dives into a primordial ocean and brings up a handful of mud that becomes the first land, appear across North America, Siberia, and South Asia. The Maidu story is one of the most complete and well-known examples.
- The Blackfoot creator Old Man shapes the world through physical movement, naming and pressing the landscape into form as he travels. The story reflects a relationship between creator and land that is intimate and embodied.
- The Hawaiian Islands were formed by volcanic activity, a geological reality woven into Hawaiian mythology. Pele is the volcano goddess; Hiʻiaka is her sister, associated with healing, dance, and compassion.
- Hiʻiaka and Wahine-Omao appear in Queer Mythology as figures whose love for each other is inseparable from the volcanic landscape they travel across. Their story is among the oldest queer love stories in Pacific mythology.
- The woman in the Blackfoot myth who throws the stone is one of mythology's quietly consequential figures. Her choice is not presented as a mistake or a punishment but as a decision that shapes human life.
- Readers identify the problem in a story and trace how characters work together or alone to solve it.
- Readers notice how a story's setting (ocean, volcano, frozen tundra) shapes what characters do and what is possible.
- When comparing two myths, readers look for what is the same and what is different, then ask: why does this difference matter?
- Use strong, specific verbs that show exactly what is happening.
- Describe a setting using sensory detail, what a character would see, hear, feel, and smell.
- Show how a character's actions lead to consequences, using sequence words: first, then, next, finally.
- Develop a focused narrative with a clear beginning, middle, and end.
- Describe your mental image of a setting using specific words. What details from the text led you to picture it that way?
- When sharing a response, use one piece of evidence from the text to support your interpretation.
- Practice restating a key idea in your own words before writing a response.
| Word | Definition | From the Text |
| Earth | The ground, soil, or land; also used as a proper noun (Earth Starter) in the Maidu myth | "There was water everywhere. There was no earth." |
| Submerged | Completely covered by water | "All was dark. There was water everywhere." |
| Emerge | To come out from underneath or from within something | The earth pebble grew and emerged from the water as the world. |
| Plunge | To dive suddenly and forcefully downward | "Turtle plunged to the bottom of the dark water." |
| Terrain | A stretch of land and its physical features | Old Man shaped the terrain as he traveled north. |
| Traverse | To travel across or through a landscape | Old Man traversed the whole world, giving each place its shape. |
| Sacred | Connected to something holy, deserving deep respect | The land was sacred, shaped by the creator's own hands. |
| Landscape | The visible features of an area of land | Hiʻiaka's love became part of the landscape around her. |
| # | Topic | Activities | Materials / Text |
| 1 | Predicting and Reading | Predict from the title; read the myth; discuss what surprised you | "Turtle Dives to the Bottom of the Sea" — Hamilton, Maidu |
| 2 | Important Nouns and Verbs | Review nouns and verbs; identify 3 important nouns and 3 important verbs from the story | |
| 3 | Story Structure: Problem, Action, Result | Map the story using a problem/action/result organizer | |
| 4 | Earth as a Proper Noun | Explore when "earth" is capitalized and why; common vs. proper nouns | |
| 5 | How / Why / When / Where | Expand kernel sentence "Turtle brought up the earth" using how, why, when, and where | |
| 6 | Mental Images | Read new myth; pause to sketch or describe mental images while reading | "Traveling to Form the World" — Hamilton, Blackfoot |
| 7 | Strong Verbs | Identify Old Man's creation verbs; replace weak verbs with stronger ones | |
| 8 | Sequence and Transition Words | Retell the story using transition words: first, then, next, after, finally, as a result | |
| 9 | The Woman and the Stone | Discuss the ending; opinion writing: was the woman's choice fair? | |
| 10 | Compare the Two Myths | How is land created differently in each story? Use at least two specific details from each text | Both Hamilton myths |
| 11 | Read and Respond: Hiʻiaka | Read the myth; describe how characters are connected to the landscape | "Hiʻiaka and Wahine-Omao" — Sanchez, Hawaiian |
| 12 | Character Study: Hiʻiaka | Map her powers, her quest, and her relationships; strong verbs from the text | |
| 13 | Love and Landscape | How does the natural world reflect the relationship? Queer mythology discussion | |
| 14 | Earth Myth Comparison Chart | Compare all three myths across key story elements | All three texts |
| 15 | Essential Question and Thesis | Draft a thesis in response to the essential question | All texts |
| 16 | Brainstorm: Choose a Myth to Retell | Choose one myth; pick a character; brainstorm what changes | Learner's choice |
| 17 | Plan the Retelling | Use a story organizer to plan beginning, middle, and end | Learner's brainstorm |
| 18 | Draft the Retelling | Write the first draft; use strong verbs and sequence words | Learner's plan |
| 19 | Editing: Strong Verbs Pass | Revise for strong verbs; check mechanics with checklist | Learner's draft |
| 20 | Publish | Write final copy; reflect on the unit | Edited draft |